Welcome to Joshua Tree,

where clashing deserts forge wonder

March 12-15, 2026

Click here to join us!

Embark on a nocturnal workshop March 12-15, 2026 with night photographers Jeff McCrum and Shehab Hossain in Joshua Tree!  This national park spans the Mojave and Colorado deserts and has some of the darkest night skies in California, with a Bortle scale of 2, and a concerned local populace dedicated to preserving the beauty of the night sky!

Join us for three nights in this majestic national treasure as we explore the vast desert and work on various light painting techniques under the open skies. We will explore miles and miles of two of America’s astonishing deserts, the California and Mojave, each with their own fascinating climate, history, and terrain. We will capture the natural interactions of these deserts while observing, recording, and celebrating the astonishing dark skies.

The workshop includes locations that echo the history of the pioneers who came before, as we visit abandoned farms, mills, and mines. Joshua Tree’s history goes back to the Pinto Culture of 8000 BCE, then later Native American tribes, Spanish explorers, Mexicans, fur trappers, cattle rustlers, gold miners, and ranchers. The eponymous Joshua trees come from the higher Mohave side to the west that meets the eastern Colorado Desert and its scrub brush, Cholla cactus, and California’s only native palm, the California fan palm. This clashing of deserts also created geological upthrusts of rock and arches throughout. All of these are perfect for light painting and crafting interesting foregrounds, using handheld lights, remote panel lights, and light orbs.

The best reason for visiting this particular park comes from the interplay of these foreground opportunities with the breathtaking Milky Way stretching overhead, as the night sky comes alive with ancient constellations. Participants will receive instruction in capturing star trails, high ISO star points, and a better understanding of how stars move across the sky, along with the challenge of capturing the foreground without moonlight. We will also discuss post-production techniques like star stacking, denoise programs, and combining stacked images to help you capture your vision in the field. Additional classes will discuss an array of night photography techniques like panoramas, Little Planets, reflections, and creative techniques to use anywhere in the world. Don't miss this unique opportunity to paint the desert nightscape with your lens!

To find out more about the agenda, equipment, cancellation or other policies, please click here.

Our typical days:
We will meet after lunch around noon every day to have a discussion about the topic of the day, review images and discuss any other other photographic ideas, issues, concerns, or interests.  While we only have three days, our intent is to go through a wide array of topics:
- Typical camera settings, high ISO test shots and low ISO results,
- Balancing existing light levels with additive light painting,
- Tools of the trade: flashlights, light panels, LEDs, and halogen,
- Image stacking for light painting and stars,
- Differences between starlight and moonlight,
- Star trackers and technological aids,
- Panoramas and capturing more than what your lenses allow,
- Post-processing in Lightroom, Photoshop and other options for Milky Way, stars, Little Planets, and more,
- Daily image critiques of your work.

We will take a dinner break around 5 PM and then reconvene approximately an hour later to depart for evening adventures near 6 PM to scout the locations and capture blue hour.  Our starting destinations are around 30 minutes from Twentynine Palms and sunset is around 7:00, leaving us some time to have a look while there is still daylight.

Overall, the intent is to make this your workshop. Jeff and Shehab are there to support participants, aiding you in achieving your vision. We will be answering questions, providing advice, or simply leaving you space to shoot. We can also adjust times or locations as the group and the weather dictates, as nature cannot be modified by human means and there may be events or opportunities that we wish to take advantage of.  We want to help you create amazing images for your portfolio and help you showcase your vision of one of the nation’s most stunning locations.

Day One: Connecting to the Space

Our first night in the desert will start with a meeting at one in the afternoon to start class. We will discuss the challenges of capturing the night with an overview of night photography techniques, typical equipment settings, and the locations and plans for every night in the park.

We will start our shooting Thursday night near Jumbo Rocks and the Live Oak picnic area for some star trails and jump right in with some light painting with high ISOs to capture star points.

Day Two: Connecting to the Craft

We will spend some classroom time after lunch with an image review from the previous day and an open discussion about low light craft and further light painting techniques.

That evening we will start at the Cholla Cactus Garden and then shift to the White Tank and Arch Rock area to work on light painting skills, balancing the natural foregrounds with the amazing stars, hopefully including an early Milky Way.

Day Three: Connecting to the Light

The afternoon starts with image review from the previous day and some post-production techniques to make your images shine. Class will also focus on light painting and techniques for spinning light orbs and light wands!

After dinner will use those light painting techniques as we marry function onto form with the architectural elements at Ryan Ranch and the staggering natural beauty of Hidden Valley.

Day Four: Connecting Back to the World

Packing and then a regretful return back to the world. We will make ourselves available during the morning and at lunch for any last discussions or questions you might want to consider during your trip home.

Alternatively, you can make your own arrangements and stay in the area for longer; please feel free to ask us about locations or any other travel you are interested in we are always happy to help!

Group size: 10 maximum, with two instructors.

Physical challenge: Moderate walking speed but approximately one mile (2 km) a day total walking across typical desert trail conditions.

Experience level:
All.

Students who are entirely new to photography will want to get in touch with Jeff to make sure you are prepared for the course; he may recommend additional readings before coming.  But we sincerely mean all levels, if you do not own a camera or a tripod we can connect you with rental companies. If you want to bring analog cameras we will help teach you about how we shoot analog at night.

Lodging:
None provided but we have a list of recommended hotels in the Twentynine Palms area. We recommend Twentynine Palms over Joshua Tree itself as we will be using the east side road to access the park.

Getting there:
Los Angeles is approximately two and a half hours to the west of Joshua Tree National Park, LAX is the major international airport to LA and there are a few smaller ones as well. Palm Springs (PSP) is the closest to the park, about an hour away, and has a good number of daily flights. Ontario, CA (ONT) is northwest of the park, about two hours away, and may also provide a better fare or schedule option for you.

Car rentals are also available at all of these airports and highly recommended. While we will be travelling as a group to the shoots every evening you may want to have some flexibility about your return time. There is a bus from Palm Springs airport but not from LAX.

What’s not included: 

Travel to or from your home to Joshua Tree

Housing near Joshua Tree or Twentynine Palms

Meals or alcoholic beverages

Travel Insurance

Workshop costs include: 

All fees and permits for taking photos at night in the park

Daily classes and instruction in night photography, 12 hours in total

Three full nights of field photography, 15 hours at the minimum

At least two locations per night

Travel throughout the park to and from shoots every evening

Why come on our night photography workshop?
Joshua Tree has been a genesis for creative and interesting art since long before U2 visited. During the day the spare desert landscape leaves you alone with your thoughts with the adjacent towns nearby filled with colorful local art and great restaurants. At night, however, the sky takes on an otherworldly beauty, revealing stars, constallations, galaxies, and hopefully a meteor or two, we just have to be out and looking. This is a space that truly provides a glimpse into the wonder of Earth’s amazing natural beauty and space in the cosmos. To add to all this natural beauty we will be using light painting to highlight foregrounds and help connect the terrestrial to the stars by giving them both equal weight or by adding our own light globes or trails to our images.

Light Painted Starlight
Day Night
Day Starlight

Questions? Email Jeff: jeff@jeffmccrum.com

Are you ready to experience Joshua Tree?

Cost: $1095!

Your Hosts

About Jeff McCrum (right):
Jeff is a New Jersey based night photographer who specializes in long exposure and light-painted images in both digital and film, using traditional medium format and digital film processes. He has shown his work in galleries and been selected for juried shows throughout the region, including shows in New Jersey, Pennsylvania, Vermont,  Massachusetts, and for the last five years, at the Lupine Gallery in Monhegan, Maine. His work is in numerous private collections including that of renowned painter Jamie Wyeth.

Jeff also runs the only night-photography specific Meetup in New York City, helping night photographers to meet up for shoots and occasionally gain access to locations that require shooting permits, such as Grand Central Terminal. He has assisted with photography workshops run by National Parks at Night and at Sleepy Hollow Cemetery, and also runs his own workshops nationally and internationally to help people find their own creative visions. Jeff has an MFA from NYU’s Tisch School of the Arts and has developed site-specific projection-mapping video projects as well as working in theatrical performance lighting, both of which contribute to his interest in finding the most creative ways to illuminate subjects in his photography. Night photography gives him a chance to see the world differently - to focus on the quiet solitude of light and shadow and the beauty of textures, varying color palettes, and shapes. His work uses long exposure, flashlights, and light trails to explore the intersection of light, time, and form.

About Shehab Hossain (left):
Shehab bends and freezes time in his photos.  What’s your superpower?

Shehab is a Bangladeshi/Nigerian/American visual artist specializing in urban night photography and light painting.  His craft is making photos of his light painting strokes in urban environments.  He uses various durations of a camera exposure to paint objects and places with light.  His strokes become a performance as he dances his orchestrated layers of light through a scene while drawing and painting objects to build this composition.  At times, he uses existing light sources and trails to complement the scene. The shutter closes and freezes the movements and light strokes within a single long exposure.

Shehab’s photos celebrate a unique look on old places.  The plot of his night photos is mostly of places we are accustomed to seeing in daylight.  His favorite places are abandoned spaces. The final prints on canvas, metal or glass bring out the vibrancy of ambient and light painting within these nocturnal scenes.  His award winning and published photographs have been featured in exhibitions in various cities and are part of several private collections around the world.  Shehab currently lives and practices his craft in Boston, Massachusetts